WRITING

2025
This is the first time in my life, or politically, that I wanted to be part of an institution

2024
Announcement for Tuesday at Secession
She knows nothing about clouds
Press release for Niklas Taleb, 'Scheiße alles' at Lucas Hirsch

2023
Reading Between Clouds
Forgot Sunglasses Again, revised and extended version, May 2023
Forgot Sunglasses (Scroll down for German version)
Forgot Sunglasses Again (English)
Forgot Sunglasses Again (Deutsch)

2022
Everything
More (or five) Doors

2021
Eyes hold things differently (Deutsch)
Eyes hold things differently (English)
Bewerbung für ein Recherchestipendium für bildende Kunst,
April 2021
Application for a research stipend for fine arts, April 2021
What a beautiful idea you were

2020
Hallo Puchberg
No, 30.03.2020, Text for a video contribution for #ArtistClips, Secession, Vienna

2019
Audioguide zur Ausstellung Was trägt Sie? / Audio guide for the exhibition What carries you?, Secession, Vienna
Audioguide Transkript / Audio guide transcript, Secession, Vienna
List of works Was trägt Sie? / What carries you?, Secession, Vienna
Text zur Ausstellung Esst mich! /
Text for the exhibition Eat me!, Kunstverein München

2018Lisa Holzer
Und ich hab schon wieder Hunger für Starship
The fun in the figure of the mother / Das Vergnügen in der Figur der Mutter, Text poster for the exhibition You make me very hungry / Und ich hab schon wieder Hunger, Galerie im Turm, Berlin
You make me very hungry / Und ich hab schon wieder Hunger
I cry.
I come in you dt. / I come in you engl.
Drives drive

2017
November
I cry.
I come in you - The Party Sequel (Berlin) dt. / I come in you -
The Party Sequel (Berlin) engl.

2016
I cry., Letter for If only, it's just beginning, JOBS, Chicago
I sweat.
Press Release for Quintessa Matranga, 'My Celebrity Crush' at Boyfriends
Esst mich. / Eat me.
Answer to the invitation to perform at the summer party of 21er Haus, Vienna, June 21st 2016 (I hope you saw me dance.)
The text was available since June 21st 2016 on the website of the 21er Haus
Eat me. was published in NOVEL Upstairs, edited by Alun Rowlands and Matt Williams, 2016
Be a funny mom
Honey ears.
Men what a humble word
Dogface
The Man Who Is Blue Or Blonde And Works
The Man Who Is Bold
The Dreamer
The Dissidents

2015
Keep All Your Friends
Head of a Partisan
Compliment Card

2014
Drives drive
I did love you once.
I did love you once. I did did.

2013
But Yes, But Yes!
Meringues/Mayonnaise/Dear Mayo mit Mayo passing under strawberry jam stains, Omelette passing under dripping nail polish und I am my hair/Meringues/Mayonnaise/Dear Mayo with Mayo passing under strawberry jam stains, Omelette passing under dripping nail polish and I am my hair
Meringues/Mayonnaise/Dear Mayo
Mayonnaise1
Mayonnaise2
Halloween meringue ghost pops
I am my hair

2012
Der Anfang von The Passing Part Two - A Passing WE/The beginning of The Passing Part Two - A Passing WE
This is how you should cook an omelet.
*sure as God
Gedicht1 / Poem1

2011
Alle bis heute in Arbeiten verwendeten a-Löcher, Sommer 2011/
All a-holes used in works till today, Summer 2011
Alle bis heute in Arbeiten verwendeten A-Löcher Sommer 2011/
All a-holes used in works till today, Summer 2011
C n otes
I am in the middle of your picture
Das Lied von den traurigen Bäckern
The Song of the Happy Bakers
Ich bin nicht da, I am not there

2009
Vier Pressetexte

2006
Wir sind alle aus Zucker und selten zu Pferd

“This book comprises the exhibition’s not-yet-framed pictures, and illustrations from the series Guts, Flush (with or without flash), and Not Yet Titled, which Anke Dyes and/or Hans-Christian Dany mention in texts. As well as illustrations from the series You make me very hungry, which relate to my catering suggestion for the fundraising dinner of the Secession mentioned in the audio guide text. Also included are illustrations from the series Delay, as in the/a mood (butterhead lettuce) for the adults, and Flowers of death devoid of green (chrysanthemums), because they go so well with the season, and the picture for the invitation card, a receipt for a clown collar.”
(Lisa Holzer)